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The Girl Without Hands

May 12, 2026 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

Oct 16, 2024 This month, celebrate Noirvember with a dazzlingly dark lineup of hard-boiled pleasures.

Purple Gaze

The Daily

Apr 12, 2024 Names in the news this week: Alain Delon, John Akomfrah, Francis Ford Coppola, Vera Drew, Charles Burnett, and Miles Davis.

March Books

The Daily

Mar 22, 2022 This month’s roundup opens with news of forthcoming titles on the work of Pasolini, Kubrick, Sofia Coppola, and Bong Joon Ho.

February Books

The Daily

Feb 18, 2020 From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.

May 3, 2018 Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

Mar 9, 2015 François Truffaut’s adultery drama is at times corrosively funny and at others frighteningly tense, but it’s always incisive and humane.

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Jul 18, 2019 With its picturesque Provençal village, florid theatrical dialogue, and cast of familiar southern-French actors, dominated by the formidable Raimu, The Baker’s Wife is classic Marcel Pagnol territory. In 1938, when the film was released, the feted author and playwright was...

Nov 3, 2017 “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

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