The Criterion Collection
The Daily
Jun 4, 2025 — BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.
The Daily
Mar 22, 2024 — This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.
The Daily
Aug 8, 2023 — Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
The Daily
Oct 25, 2018 — Wim Wenders, Marilyn Monroe, and Peter Bogdanovich are among the names cropping up this week.
The Daily
Mar 31, 2025 — Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.
Apr 8, 2021 — The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop...
Jan 26, 2018 — We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...
May 5, 2017 — Did You See This? To celebrate the centennial birthday of iconic French actor Danielle Darrieux, Dan Callahan has written an ode to her breathtaking work in the films of Max Ophuls and Jacques Demy. Of her performance in The Earrings...
Short Takes
May 27, 2017 — I’m capping off my weeklong look at Cannes festivals past by revisiting the 2015 winner, Dheepan. Director Jacques Audiard accepted the Palme d’Or for this devastating portrait of the refugee crisis in Europe and took the opportunity to shout out...