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The Films of David Cronenberg

Jul 12, 2017 La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...

May 18, 2012 Did You See This? • Remembering Carlos Fuentes • Don DeLillo spills a few beans about David Cronenberg’s Cosmopolis • On Truffaut on Bazin on Renoir • The Korean Film Archive has gone YouTube • Trailing the Mann of the...

Mar 15, 2022 A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.

Turning Points

The Daily

Oct 30, 2020 How fitting it is that the season for scary viewing arrives as we teeter on the cusp of a historical moment.

Jun 10, 2024 The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.

Dec 8, 2022 We can look forward to new work from Ira Sachs, Nicole Holofcener, Randall Park and Adrian Tomine, and Brandon Cronenberg.

Apr 9, 2018 “Most famous for the exquisite 1979 family classic The Black Stallion, and, to a slightly lesser extent, 1996’s Jeff Daniels and Anna Paquin-starring drama Far Away Home, [Carroll] Ballard is—despite making only six films in a period of almost forty...

Oct 26, 2022 Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Two by Two

The Daily

Jul 10, 2020 This week’s highlights come in pairs: Bill and Turner Ross, Michaela Coel and Thandie Newton, Bradford Young and Ava DuVernay, and more.

May 22, 2017 Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...

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