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The End of the Tour

Sep 19, 2011 Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du...

Feb 14, 2005 A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.

Jul 17, 2024 This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

What Might Be

The Daily

Jul 3, 2025 The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.

Jan 19, 2023 Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.

Sep 14, 2020 Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

Dec 21, 2016 Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...

Feb 21, 2006 Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....

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