The Criterion Collection
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.
Oct 20, 2008 — Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.
Essays
Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.
Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.
Jan 23, 2018 — Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.