The Criterion Collection
Essays
Feb 18, 2008 — At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .
Essays
Jun 23, 2003 — Alain Resnais’s antidocumentary never purports to “document” the heinous realities of the Holocaust; instead, it interrogates our responses.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
The Daily
Jan 26, 2018 — The Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25, rolled out the lineup for the Forum last week, and today, it’s added Special Screenings to the section. With notes from the festival:James Benning’s 11 x...
Sneak Peeks
Dec 13, 2017 — Fifty years after the Summer of Love, Direct Cinema pioneer D. A. Pennebaker looks back on the Monterey International Pop Festival, which he captured in one of his greatest documentaries.
The Daily
Nov 29, 2023 — Rudolph Valentino, Anna May Wong, Harold Lloyd, and Pola Negri will light up the Castro’s big screen on Saturday.
Dec 14, 2020 — This year’s selection features a record number of films directed by women and people of color.
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.
Essays
Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.
Sep 22, 2009 — A new era in popular music deserves a new era in filmmaking—that’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s concert film.