Ten Years

May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Apr 8, 2021 — If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...

Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”

Mar 26, 2021 — Today’s round features writing on Catherine Breillat, William Greaves, Thom Andersen, and Patricia Highsmith.

Mar 19, 2021 — We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

Mar 11, 2021 — The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.

Mar 9, 2021 — Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.

Feb 26, 2021 — There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...

Feb 5, 2021 — This week we’re reading Nick Pinkerton on Fassbinder’s problems with Chabrol and revisiting films by Marguerite Duras, Lizzie Borden, and Béla Tarr.