The Criterion Collection
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...
Mar 5, 2021 — When the photographer Mary Ellen Mark died in 2015 at age seventy-five from myelodysplastic syndrome, she left behind a vast and varied five-decade trail of portraits and documentary pictures, collected in twenty books and dozens of exhibitions, radical in their...
On the Channel
Jun 28, 2019 — Check out what’s in store next month on our streaming service!
Feb 26, 2019 — The trailblazing African American director Charles Burnett’s third feature, To Sleep with Anger (1990), was his biggest production to date, albeit still made on a modest budget of $1.4 million, a significant portion of which was raised through the attachment...
The Daily
Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.
Oct 18, 2009 — So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...
The Daily
Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.