Some Came Running

May 7, 2021 — This week we celebrate Elaine May, Ulrike Ottinger, Liza Minnelli, and Madonna while paging through the new Senses of Cinema.

May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

May 5, 2021 — Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....

Apr 27, 2021 — The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.

Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Apr 16, 2021 — Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

Apr 13, 2021 — This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.

Apr 13, 2021 — To fall deeply in love means to take a risk, and no romantic movie is riskier than History Is Made at Night (1937). Producer Walter Wanger came up with the very grand and suggestive title, but he had only two...

Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.

Feb 12, 2021 — This week we’re revisiting Tarkovsky, catching up with Shelley Duvall, and listening to Edgar Wright and Quentin Tarantino talk movies.