The Criterion Collection
The Daily
May 19, 2017 — We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...
Apr 20, 2017 — Programmer Michael Sragow and former Film Society of Lincoln Center program director Richard Peña discuss the holy grail of cinephile TV series and the legendary figures it profiled.
Essays
Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.
Sneak Peeks
Mar 22, 2017 — A stately satire of modern media consumption and American politics, Hal Ashby’s 1979 film Being There follows the fortunes of a childlike gardener named Chance (Peter Sellers), who becomes an unlikely celebrity of D.C. high society after attracting the attention...
On the Channel
Nov 15, 2016 — This week’s Short + Feature program on the Criterion Channel pairs D.A. Pennebaker’s three-minute experimental Daybreak Express and Ronald Neame’s feature comedy The Horse’s Mouth.
Oct 21, 2016 — Did You See This? The 2016 Gotham Award nominations were announced yesterday, and we were proud to see Kirsten Johnson’s Cameraperson, a Janus Films release, in contention for best documentary. Writing on Claude Arnaud’s expansive new book, Jean Cocteau: A...
Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.
In Theaters
Jun 30, 2016 — Repertory PicksThis weekend, take a respite from the summer heat by heading over to Manhattan’s Metrograph theater for a screening of Agnès Varda’s 1969 film Lions Love (. . . and Lies). Made during Varda’s years living in California with...
May 31, 2016 — With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...