Jan 1, 2022 Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Five in Theaters

The Daily

Nov 18, 2021 Brief notes on films arriving from Mike Mills, Tatiana Huezo, Jane Campion, Robert Greene, and Radu Jude.

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Nov 16, 2021 Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.

Oct 13, 2021 Several of the season’s best-reviewed films arrive in the Windy City.

Oct 12, 2021 In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.

Oct 4, 2021 Mills winningly enlivens the old tropes of a story we’ve seen a thousand times before.

Oct 1, 2021 Deep Dives Because he’s Orson Welles, even during a less-bankable stretch of his career, he received top billing in Three Cases of Murder. Welles was also pictured most prominently on all the promotional materials for this little-known 1955 British anthology...

Sep 24, 2021 The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.

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