The Criterion Collection
Essays
Nov 27, 2006 — Centered on the destruction wrought by unbridled female eros, Pandora’s Box would, in its shockingly modern, instinct-driven psychology, end up defining both its director and its star.
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
Essays
Dec 31, 2000 — Those who felt that Scandinavian cinema had passed into retirement along with Ingmar Bergman should be startled by Insomnia. This immaculately constructed psychological thriller sets a benchmark for other Scandinavian directors to match, and is one of the most unusual...
Essays
Dec 31, 1999 — As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
An X-ray of corporate America; an existential noir thriller; four pre-Code movie musicals; a gonzo revenge thriller; a psychologically complex western; a nearly wordless comedic achievement; and a benchmark of independent cinema.
This British auteur pushed the boundaries of narrative form with his dark psychological dramas and mind-bending reinventions of horror and science fiction.
The award-winning actor and director goes deep on his favorite westerns, highlighting Gregory Peck’s psychological performance in The Gunfighter and Barbara Stanwyck’s fierceness in The Furies, Leonard Cohen’s music in McCabe & Mrs. Miller, and Budd Boetticher’s lean, mean Ranown...
Widely revered as the Master of Suspense, the celebrated director revolutionized popular cinema with his psychosexual thrillers and meticulously plotted mysteries, which often feature icy blondes and macabre men.
The singer shares her love for The Bitter Tears of Petra von Kant and its decadent drama, praises Nicole Kidman’s hilariously psychotic performance in To Die For, and talks about the intimate dream state of Brand upon the Brain!