Promises

Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 17, 2018 — The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...

Jan 3, 2018 — Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...

Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...

Dec 7, 2017 — “I think that every movie gets better the second time around if you love it,” Guillermo del Toro tells Matt Zoller Seitz in an excerpt from a new book by Seitz and Simon Abrams, Guillermo del Toro’s The Devil’s Backbone....

Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...

Nov 15, 2017 — “Two exhibitions on different sides of the Atlantic—Marlene Dietrich: Dressed for the Image at the National Portrait Gallery in Washington, through April 15; and Obsession Marlene at the Maison Européenne de la Photographie (MEP) in Paris through Jan. 7—explore how...

Oct 31, 2017 — In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...

Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.