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Sep 18, 2023 Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.

Sep 8, 2023 We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 17, 2023 As MINAMATA Mandala finally arrives in theaters, Anthology Film Archives presents a retrospective.

Aug 3, 2023 Starting Friday, New York’s Metrograph will screen new restorations of Gueule d’amour (1937) and The Strange Mister Victor (1938).

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 12, 2023 An actress disrupts the life of the woman she’s playing in the latest feature from Todd Haynes.

Jul 7, 2023 This week gives us a new Cinema Scope, an Ernst Lubitsch podcast, and an interview with John Woo.

Jun 30, 2023 This week’s highlights include conversations with Boots Riley and Lucrecia Martel and a new triple issue of Offscreen.

Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

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