Pig

Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Mar 25, 2018 — Since our last roundup on new issues, two more publications have each put out another. The new March 2018 issue of Film Criticism opens with Julia Vassilieva’s essay on Andrey Zvyagintsev’s Leviathan (2014; image above). “While earlier discussions of the...

Feb 22, 2018 — Critic, filmmaker, and festival programmer Tony Rayns explains how Kon Ichikawa intermingles modernist and classical styles in his masterpiece An Actor’s Revenge.

Feb 13, 2018 — Lucrecia Martel was at the International Film Festival Rotterdam this year not only to present Zama but also to deliver a masterclass. Giovanni Marchini Camia was there, and reports for Filmmaker: To illustrate her conception of mise en scène, Martel...

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Jan 19, 2018 — “With issues of women’s equality, sexual misconduct, and political turmoil heavy on the movie world’s mind, Sundance Film Festival Director John Cooper said he wanted to start the 2018 edition with a movie that’s ‘fun to the point of sassy,’”...

Dec 19, 2017 — Following the first rounds up titles slated for the Panorama and Competition programs, the Berlin International Film Festival now presents sixteen titles lined up for Generation, its section for younger viewers. This time around, we have descriptions from the Berlinale.Generation 14plus303, directed by Hans Weingartner. World premiere. 303 tells...

Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.

Jun 27, 2017 — On what would have been his seventy-sixth birthday, we look back at the incandescent, richly cinematic reveries of one of the most acclaimed Polish filmmakers of his generation.