The Criterion Collection
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...
Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Essays
Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...