The Criterion Collection
The Daily
Apr 12, 2019 — This week sees further remembrances of Agnès Varda, reflections on Godard then and now, and appreciations of a vital but too often overlooked filmmaker, Nelly Kaplan.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Sep 28, 2018 — This week’s round also includes David Bordwell on Alain Resnais and Sergei Loznitsa’s tribute to Kira Muratova.
The Daily
Feb 12, 2018 — Before looking ahead to some of this week’s highlights city by city, we have some festival news to see to. The Venice International Film Festival has announced that Guillermo del Toro (The Shape of Water) will preside over the International...
The Daily
Feb 7, 2018 — Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...
Dec 4, 2017 — Last Wednesday, the Sundance Film Festival unleashed the entire features lineup for its 2018 edition, running from January 18 through 28. Today, the festival’s adding lineups for a new Indie Episodic section as well as its Shorts and Special Events...
Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...
Features
Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.
May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.