Meeting Place

Oct 5, 2017 — “When you make a movie called Spielberg,” begins Mike Hale in the New York Times, “and its subject agrees to sit for what turns out to be thirty hours of interviews—and his sisters sit down with you, as do his...

Aug 25, 2017 — Cinephiles were shocked last month by the news that Hans Hurch, who had been the director of the Vienna International Film Festival (Viennale) since 1997, suffered heart failure in Rome, where he had been meeting with Abel Ferrara, and passed...

Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.

Jul 30, 2017 — “Everybody knows what’s wrong with Hollywood—the vacuous parade of tentpole blockbusters; the refusal to diversify both in front of and behind the camera; the confusion in the face of disruptions by Netflix and Amazon; the single-minded lust for the 13-year-old-male...

Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

Jul 20, 2017 — Director Ken Loach and his longtime screenwriting partner Paul Laverty, recipients of this year’s Crystal Globe award at the Karlovy Vary International Film Festival, speak about the complex relationship between politics and cinema.

Jul 15, 2017 — “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...

Jun 27, 2017 — Let’s break the pattern a bit and open today’s entry with the recommended listening first. Karina Longworth’s outstanding podcast You Must Remember This has just returned from a well-deserved hiatus with a new series, “Jean and Jane.” As in Seberg...

May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.

May 23, 2017 — “Of all of the documentaries made about North Korea by Westerners in recent years, Claude Lanzmann’s Napalm, which premiered Sunday out of competition at Cannes, is by far the most peculiar, not to mention the most brazenly narcissistic,” writes Cineaste...