The Criterion Collection
Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.
The Daily
Aug 16, 2022 — The big winners at the festival’s seventy-fifth edition were Julia Murat and first-time director Valentina Maurel.
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
Essays
Jul 19, 2022 — Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.
Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.
Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”
The Daily
Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.