The Criterion Collection
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...
Oct 22, 2021 — Deep Dives People of color have often been erased from the history of queer life, but against the odds they have managed to leave behind important documents of their communities’ survival, including underappreciated films that remain to be discovered by...
The Daily
Oct 18, 2021 — Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”
The Daily
Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
Essays
Jun 29, 2021 — In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.
Jun 22, 2021 — The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.
May 21, 2021 — Known for her resilient heroines, the prolific Japanese actor finds agency through moments of hesitation in one of her seventeen collaborations with Mikio Naruse.