The Criterion Collection
The Daily
Jan 20, 2020 — Traveling exhibitions, retrospectives, and rereleases mark the centenary throughout the U.S. and Europe.
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Jan 19, 2016 — Inside Llewyn Davis takes its protagonist on a Hero’s Journey of characteristically Coen-esque proportions—a voyage at turns serious and comic, and framed by an exquisitely curated selection of folk melodies.
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
The Daily
Sep 29, 2021 — It’s National Silent Movie Day—and the Pordenone Silent Film Festival opens on Saturday.
Features
Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...
On the Channel
Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...
Features
May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.