The Criterion Collection
Nov 2, 2021 — Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.
Jun 16, 2021 — For the cover image of our edition of Hou Hsiao-hsien’s opulent masterpiece, the award-winning illustrator combined traditional Chinese figure-drawing styles with a distinctly modern approach to color and composition.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
The Daily
Mar 19, 2021 — We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
Features
Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...
The Daily
Mar 14, 2019 — As a new collection of Tarkovsky’s writing is released, the Close-Up Film Centre presents presents side-by-side series of work by the two friends.
The Daily
Sep 12, 2018 — Viola Davis, Robert Redford, and Gael García Bernal star in a cluster of new heist movies.
The Daily
Mar 13, 2018 — Jim Cummings’s Thunder Road has won Grand Jury Award in the 2018 SXSW Narrative Feature Competition, and Hao Wu’s People’s Republic of Desire takes the Grand Jury award in the Documentary Feature Competition. Here’s the complete list of winners with...
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.