I Lost My Body

Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Jun 19, 2006 — This essay originally appeared in the fanzine PHOTON (issue #22), in 1972. Stop-motion animation has been attracting a growing number of enthusiasts for about the last ten years, and though it seems the majority of these people must out of...

Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...

Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

Apr 13, 2021 — This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...

Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

Jul 9, 2007 — The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker,...

Dec 18, 2000 — Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.