Hate

Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...

Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Oct 8, 2017 — The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...

Oct 3, 2017 — New York. Paul Schrader’s First Reformed (reviews from Venice and Toronto) has been added to the lineup of the ongoing New York Film Festival as a Special Event. There’ll be a single screening on Friday evening.Lucrecia Martel, whose Zama is part of the festival’s Main Slate,...

Sep 30, 2017 — Did You Wonder Who Fired the Gun? premiered at Sundance in January as a live presentation, with, as Vadim Rizov notes at Filmmaker, director Travis Wilkerson “narrating a complex mixture of slides and video onstage.” Wilkerson will be on hand...

Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...

Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.

Sep 28, 2017 — “If you’ve never seen The Last Detail, Hal Ashby’s 1973 comedy-drama about three Navy sailors on a debauched and ultimately tragic road trip, there are several reasons to rectify that,” begins Dana Stevens at Slate. “There’s a devilishly charismatic performance...

Sep 17, 2017 — “Clio Barnard is the fiercely intelligent, visually inventive and innovative film-maker who gave us the brilliant docu-hybrid The Arbor and then The Selfish Giant, an inspired interpretation of Oscar Wilde set in Bradford,” begins the Guardian’s Peter Bradshaw. “Her third...

Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...