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Ghost Book

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Jun 22, 2023 Our latest slate of programs dives into one of science fiction’s favorite themes, the film career of one of rock and roll’s greatest icons, and midcentury pulp from across the Atlantic.

May 19, 2023 In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

History Lessons

The Daily

May 5, 2023 Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.

Over Time

The Daily

Jun 25, 2022 This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

10 Things I Learned: Rouge

Production Notes

Jun 21, 2022 The producer of our edition of the masterful 1987 melodrama tells the stories of some of director Stanley Kwan’s legendary collaborators, including superstars Anita Mui and Leslie Cheung.

Pop Histories

The Daily

Oct 23, 2020 A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.

Oct 16, 2020 First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...

Oct 4, 2019 When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....

Nov 18, 2018 This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.

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