The Criterion Collection
Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.
Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Nov 5, 2012 — The following originally appeared as the afterword to the 2003 New American Library edition of the novel Rosemary’s Baby. Having observed that the most suspenseful part of a horror story is before, not after, the horror appears, I was struck...