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End of Watch

Feb 11, 2022 The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.

December Books

The Daily

Dec 14, 2021 Handsome volumes on Wes Anderson and David Fincher, a biography of Greta Garbo, and a memoir from Mel Brooks are among this month’s highlights.

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Oct 15, 2021 There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Aug 12, 2021 Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Jun 30, 2021 First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...

May 21, 2021 Known for her resilient heroines, the prolific Japanese actor finds agency through moments of hesitation in one of her seventeen collaborations with Mikio Naruse.

May 19, 2021 For the last twenty years—until the pandemic broke my streak—I drove each fall to spend a week at the Toronto International Film Festival (TIFF). Before making the trip, I took care to avoid reading anything about the subjects, characters, or...

Mar 29, 2021 Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”

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