Japan Cuts 2017

The Daily

Jul 13, 2017 “The spirit of Seijun Suzuki, patron saint of avant-garde Japanese filmmakers, presides over the Japan Society's 11th annual Japan Cuts program, a consistently exciting survey of innovative Nipponese cinema,” writes Simon Abrams at the top of his preview for RogerEbert.com....

May 24, 2017 “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...

May 21, 2017 “Arguably, more question marks hung over the prospect of Redoubtable than over any other film in Cannes this year,” begins Jonathan Romney in Screen. “One reason was the idea of Michel Hazanavicius, director of the world-beating The Artist, seeming too...

Apr 27, 2017 Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Feb 20, 2017 Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Feb 6, 2017 In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Jan 19, 2017 Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.

Oct 25, 2016 On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Aug 5, 2016 The director returns to the big screen with our new restoration of his long-unavailable sophomore feature, shot in 1970 on a shoestring budget, which kicks off its national theatrical rollout with a run at New York’s IFC Center.

May 17, 2016 Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...

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