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Dead Shot

Jul 25, 2024 During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.

Jul 23, 2024 Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 18, 2024 A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.

Jul 17, 2024 Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

Jul 15, 2024 Caden Mark Gardner and Willow Catelyn Maclay’s new book assesses the history and future of transness in cinema.

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jun 6, 2024 In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.

May 29, 2024 This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

Screens Aglow

The Daily

May 3, 2024 Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.

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