Miriam J. Petty is an associate professor in the department of Radio/Television/Film at Northwestern University. Her award-winning book Stealing the Show: African American Performers and Audiences in 1930s Hollywood explores the limits and possibilities of Black stardom.

Kara Keeling is a professor of cinema and media studies and of American studies and ethnicity at the University of Southern California. She is the author of two books: The Witch’s Flight: The Cinematic, the Black Femme, and the Image...

Amy Abugo Ongiri is a professor and the director of Ethnic Studies at the University of Portland. Their book Spectacular Blackness explores the cultural politics of the Black Power movement, particularly the Black Arts Movement’s search to define a “Black...

Lisa B. Thompson is the Patton Professor of African & African Diaspora Studies at the University of Texas at Austin. She is the author of Beyond the Black Lady: Sexuality and the New African American Middle Class, Single Black Female,...

Racquel Gates is an associate professor of film at Columbia University. She is the author of Double Negative: The Black Image and Popular Culture (Duke University Press, 2018) and is currently writing her second book, Blackness and the Invention of...

Michael B. Gillespie is author of Film Blackness: American Cinema and the Idea of Black Film and coeditor of Black One Shot, an art criticism series on ASAP/J. He is an associate professor of film at the City College of...

Greg Tate is a Village Voice staff alum, musician, and cultural provocateur who lives high atop Harlem’s Sugar Hill. His books include Flyboy in the Buttermilk, Flyboy 2: The Greg Tate Reader, Midnight Lightning: Jimi Hendrix and the Black Experience,...

Mark Anthony Neal is the James B. Duke Distinguished Professor of African & African American Studies at Duke University and the author of several books, including Black Ephemera: The Crisis and Challenge of the Music Archive (NYU Press).

Michelle Parkerson is an award-winning filmmaker based in Washington, D.C., whose work has screened at the Sundance Film Festival, the Berlin Film Festival, and the American Film Institute. She has documented the lives of LGBTQ icon Audre Lorde (A Litany...

K. Austin Collins is a film critic whose writing has appeared in Rolling Stone and Vanity Fair. He is the author of forthcoming books on American documentary cinema and Black police officers. He lives in Brooklyn.

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