The Criterion Collection
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...
The Daily
Apr 27, 2023 — The critic and filmmaker has put together a series that celebrates “a New York of the collective imagination.”
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
Feb 16, 2004 — In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.
The Daily
Nov 18, 2021 — Brief notes on films arriving from Mike Mills, Tatiana Huezo, Jane Campion, Robert Greene, and Radu Jude.
Aug 17, 2021 — D. A. Pennebaker turns his camera on Stephen Sondheim and the cast of his breakthrough musical in this revelatory documentary about artists at work.
The Daily
Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
The Daily
Feb 24, 2020 — The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.