The Criterion Collection
Essays
Jul 27, 2009 — We enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a...
Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.
The Daily
Dec 5, 2025 — New issues of Cineaste and Found Footage Magazine are among this week’s highlights.
Jul 22, 2025 — In his achingly beautiful debut feature, Kenneth Lonergan captures the dynamics of a sibling relationship shaped by grief, revealing its complexities with narrative economy and deep emotion.
Nov 7, 2023 — By the end of the 1970s, everything had changed for Jackie Chan. He had cowritten, directed, and starred in The Fearless Hyena, which became the top-grossing Hong Kong film of 1979. His next project, The Young Master, would top that...
The Daily
Nov 12, 2017 — In Wayne and Ford: The Films, the Friendship, and the Forging of an American Hero, Nancy Schoenberger “has hidden a provocative thesis,” suggests Stephen Metcalf, writing for the Atlantic. “She asks us to remember the beauty of masculine self-mastery as...
Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.
Short Takes
Feb 2, 2016 — In November of 1974, German filmmaker Werner Herzog began walking from Munich to Paris. He had just learned that his friend and mentor, the film historian Lotte Eisner, was gravely ill and had been hospitalized in Paris, and Herzog decided...
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Short Takes
Apr 18, 2011 — In this photograph of the Brattle Theatre circa 1953, you can see a sign that says “Opening Soon! Foreign Films.” The brilliant idea behind the sign belonged to Harvard classmates Cy Harvey and Bryant Haliday, without whom the Brattle Theatre...