The Criterion Collection
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
The Daily
Feb 26, 2018 — The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Dec 6, 2011 — The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...
Essays
Oct 26, 2010 — A coming-of-age story about a clique of teenage schoolgirls who will never grow old and a demon spirit in the guise of a spinster who was never young, Nobuhiko Obayashi’s eye-poppingly demented, jaw-droppingly inventive House is 1970s Japanese pop culture...
Jul 9, 2001 — John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
The Daily
Mar 25, 2026 — The Harvard Film Archive celebrates the first decade of work by a key figure of the Japanese New Wave.
Features
Dec 30, 2024 — Ring in 2025 with this selection of highlights from our past year in publishing.
The Daily
May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.