The Criterion Collection
The actor, producer, writer, and director shares why she thinks Naked is best watched alone, discusses her favorite cinematographer James Wong Howe’s work on Sweet Smell of Success, and suggests a Bob Fosse and Richard Pryor double feature.
The musician, producer, filmmaker, author, and actor reminisces about discovering Black Orpheus through Prince, shares his love for concert films like Monterey Pop and Gimme Shelter, and talks about how Spike Lee’s films have always been ahead of their time.
The legendary director, writer, cinematographer, and producer praises Charlie Chaplin as a father to all filmmakers, reflects on casting Jean-Louis Trintignant in A Man and a Woman after seeing Il sorpasso, and shares why love has been the enduring theme...
The actor celebrates “awe-inspiring” performances by Holly Hunter in Broadcast News and by Cher in Moonstruck, talks about watching The Before Trilogy while filming The White Lotus, and shouts out a favorite Philip Seymour Hoffman moment on-screen.
The director of Caught by the Tides shares his affection for Alfonso Cuarón’s Roma, describes City Lights as being “full of cinematic feeling,” and selects favorites by Edward Yang, Robert Bresson, and Yasujiro Ozu.
The writer and director talks about Luis Buñuel’s surreal combination of the mundane and the absurd, shares what he learned from Martin Scorsese’s early shorts, and selects formative favorites like If. . . . and Fast Times at Ridgemont High.
The actor and director talks about his formative experiences watching Miller’s Crossing, Hollywood Shuffle, and The Elephant Man; praises films by past collaborators, including Richard Linklater and Terrence Malick; and shouts out a very special Criterion commentary.