The Criterion Collection
The Daily
Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...
The Daily
Nov 5, 2017 — New York. “It’s probably pure coincidence that BAM is presenting a week of Sam Shepard films right as the Metrograph screens five days of Dennis Hopper–directed titles,” writes Bilge Ebiri. “No two actors of their generation better expressed the modern...
Essays
Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.
On the Channel
Jan 17, 2017 — George Washington actor Curtis Cotton III and David Gordon Green A few years after graduating from the North Carolina School of the Arts in 1998, David Gordon Green found critical success with his debut feature, George Washington, a lyrical coming-of-age story...
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.
Features
Jun 17, 2013 — The author introduces a new Current series that will feature his reminiscences about his encounters in international cinema circles over the past five-plus decades.
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...