The Criterion Collection
Essays
Jul 18, 2017 — During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.
The director of The Tin Drum and Young Törless says a prayer to the spirits of the closet and makes a beeline for a masterpiece by Michelangelo Antonioni.
The philosopher names Trouble in Paradise “Ernst Lubitsch’s ultimate masterpiece,” praises Peter Weir’s early films, and calls the final scene of City Lights “the most sublime ending.”
The writer, philosopher, and director of Orlando, My Political Biography praises Spanish cinema masters Pedro Almodóvar and Carlos Saura, talks about the “visual therapy” of Jacques Tati and his love for the poetry of Chris Marker.
The Palme d’Or–winning Belgian duo talk about their friends Jane Campion and Cristian Mungiu, a Krzysztof Kieślowski masterpiece that has influenced their own work, and the “profound loneliness” of Barbara Loden’s Wanda.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
The Daily
Jul 19, 2024 — We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.
The Daily
Sep 30, 2020 — The new issue offers features on films by Gianfranco Rosi, Orson Welles, Ephraim Asili, and Nicolás Pereda.
Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.
Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...