The Criterion Collection
In Theaters
Aug 4, 2016 — The Vancity Theatre is screening Rainer Werner Fassbinder’s penultimate feature, the second installment of his BRD trilogy, a series of films centered on women in postwar Germany.
Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.
Interviews
Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Sneak Peeks
Jun 29, 2016 — Olivier Assayas’s Clouds of Sils Maria brings together Juliette Binoche and Kristen Stewart to play out a psychologically complex relationship between two women. Binoche, once again teaming up with Assayas, after starring in his 2008 drama Summer Hours, is Maria...
Jun 21, 2016 — Animated in Czechoslovakia amid a Soviet invasion, the French film Fantastic Planet, the third collaboration between René Laloux and Roland Topor, timelessly renders its surreal sci-fi story of captivity and resistance.
Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.
May 27, 2016 — The actor sits down to recount his experiences working on Altman’s film about an amoral Hollywood studio executive and discusses the agreement he and Altman made to ensure that the production would be truly independent.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Short Takes
May 24, 2016 — “I always thought of musicians as being the saints of our time,” says documentary filmmaker D. A. Pennebaker in a recent interview for the New York Times on the subject of his 1967 vérité portrait of Bob Dylan Dont Look...