So Can I

Jun 24, 2020 — It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).

Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)

Jul 26, 2019 — Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.

May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...

Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.

Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.

Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.

May 16, 2018 — Workers and management face off in a French factory, and the reviews are so-so.