The Criterion Collection
The Daily
Feb 26, 2019 — He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.
Feb 26, 2019 — The trailblazing African American director Charles Burnett’s third feature, To Sleep with Anger (1990), was his biggest production to date, albeit still made on a modest budget of $1.4 million, a significant portion of which was raised through the attachment...
Feb 25, 2019 — Songbook Pace Lou Reed, nobody’s life is saved by rock and roll in Cold Water. This in spite of its young characters’ relentless pursuit of it, in both musical and metaphysical forms. Made in 1994, set in 1972, Olivier Assayas’s...
Criterion Designs
Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
Feb 19, 2019 — A master at adapting literary classics for the screen, Luchino Visconti made a bold choice in emphasizing the homoerotic undertones in Thomas Mann’s novella.
Essays
Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...
The Daily
Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.
In Theaters
Feb 7, 2019 — Repertory Picks On Saturday evening, as part of the series A Tribute to Nicolas Roeg, the late, great director’s haunting 1973 masterpiece Don’t Look Now will show at the Brattle in Cambridge, Massachusetts, in 35 mm. (The film will be...
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...