The Fin

Sep 27, 1999 — While researching a book on the making of and the feud over the American release of Terry Gilliam’s Brazil, I read nearly every review published in the U.S., and saw very few that failed to describe the story as “futuristic”...

Jun 21, 1999 — Laurence Olivier’s Henry V today seems like nothing less than a miracle in answer to the Chorus’s call for “a muse of fire that would ascend the brightest heaven of invention.” It’s a dazzling adaptation of a Shakespeare play, made...

Feb 22, 1999 — Flipping around the channels of late-night TV in my Tokyo apartment in 1984 I came across what seemed like a B movie from the ’60s. The studio: Nikkatsu. The star: Joe Shishido. The director: Seijun Suzuki. I was not at...

Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...

Jul 21, 1998 — Despite its title, Samurai II, Duel at Ichijoji Temple, is not really an action film. It has more than its share of action and violence, to be sure—the duel between Musashi Miyamoto (Toshiro Mifune) and the chain-and-sickle master that opens...

Jun 2, 1998 — In Ray Johnson’s documentary The Making of “A Night to Remember”, Walter Lord says that when he wrote his 1955 book on the 1912 sinking of the Titanic, there was no mass interest in the topic; nothing had been written...

Jul 17, 1995 — Kurosawa made the acquaintance of Desu Uzala thirty years earlier, when he read Vladimir Arseniev’s account of charting the Russian-Manchurian border in the earlier part of this century. There, the Russian soldier and explorer had met Dersu, the Siberian hunter,...

Oct 18, 1994 — It’s useless to take a lofty view on an instant schlock horror classic, but there are reasons why John Carpenter’s Halloween, alone in the last decade, stands with George A. Romero’s Night of the Living Dead and, before that, with...

Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...

Jul 26, 1993 — But for the recalcitrance of RKO, Evergreen could have been the finest of Fred Astaire’s movies. Instead, it was never an Astaire film, but “merely” the best musical ever made in England, and the finest film of the legendary Jessie...