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Year One

Good Old New Waves

The Daily

Dec 3, 2021 In the spotlight this week: Mario Monicelli, Michael Snow, Gordon Parks, Fronza Woods, and the Japanese New Wave.

Dec 3, 2021 What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...

Dec 1, 2021 So far, most critics have been gung ho, but a few are expressing reservations.

Dec 1, 2021 Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.

Nov 30, 2021 Lost films are not the only tragedy of the silent age. It’s time that we counted up all the forgotten stories, and the overlooked connections as well. The truth is that lost films and lost memories can’t be separated. One...

Nov 30, 2021 Maggie Gyllenhaal’s Elena Ferrante adaptation wins best feature, screenplay, and breakthrough director—and scores a nod for Olivia Colman, too.

Sondheim On-Screen

The Daily

Nov 29, 2021 The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Nov 22, 2021 Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Nov 17, 2021 Having won major prizes in Berlin and Cannes, the director has been talking openly about his background, influences, and working methods.

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