The Criterion Collection
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.
On the Channel
Jan 29, 2018 — In the latest episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, professor Jeff Smith discusses Robert Altman’s playful experimentation with genre in his 1992 film The Player.
Jan 8, 2018 — Molly Ringwald and Ally Sheedy offer some of their impressions from the making of John Hughes’s pop-culture sensation.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
On the Channel
Dec 11, 2017 — Celebrate the centennial of one of silent cinema’s most iconic figures with a documentary about actor Harold Lloyd, now playing on the Criterion Channel on FilmStruck.
Sneak Peeks
Aug 11, 2017 — A new video essay on our edition of The Breaking Point breaks down the fluid visual style of one of Hollywood’s most dependable and prolific masters.
On the Channel
Jul 9, 2017 — A veteran of Japan’s legendary Shochiku studios, the versatile genre auteur Yoshitaro Nomura made his mark with a string of impeccably constructed thrillers. Five of his best are now available to stream on the Criterion Channel on FilmStruck.
Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.
Feb 23, 2017 — Pedro Almodóvar’s Oscar-nominated breakthrough revels in the complexities of the female psyche.