The Criterion Collection
Jun 21, 1994 — From the opening credits of Spike Lee’s seminal film, She’s Gotta Have It, viewers in 1986 were able to recognize the presence of an extraordinary talent. For it was Lee, a graduate of the New York University’s Tisch School of...
Production Notes
Jun 22, 2010 — Sitting on a hard drive here in the office is the unedited footage of an interview we shot here with Peter Brunette on April 26, for an upcoming release of Senso. The release had been delayed, but I told Peter that since...
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.
The editor of the New Yorker feels honored by the tribute to the magazine in The French Dispatch of the Liberty, Kansas Evening Sun, urges patience to appreciate Stan Brakhage’s experimental cinema, and finds parallels between the experiences of watching...
The playwright and actor praises Do the Right Thing as the best film of the eighties, talks about the comfort of watching his favorite westerns, and selects Chicago cinema classics like Hoop Dreams and love jones.
The actor and star of Crossing Delancey reminisces about the first film her family watched together at the drive-in, praises the depth of Liv Ullmann’s performance in Cries and Whispers, and shares her intimate connections to Blue Velvet and Days...
The cinematographer of Bound and The Matrix talks about the thrill of watching John Ford’s Stagecoach for the first time, praises Martin Scorsese’s love of music, and picks up a recommendation from his granddaughter—Nobuhiko Obayashi’s House.
The actor and writer shares her love of the literary qualities of Eric Rohmer’s cinema, recalls the thrill of watching Bruno Dumont’s La vie de Jésus, and selects films by auteurs she has worked with, including Jean-Luc Godard and John...