The Criterion Collection
Features
Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
The Daily
Jul 27, 2018 — Olivier Assayas calls Blain “one of the great, underrated, unknown, under-recognized filmmakers of his time.”
Jul 4, 2018 — Wim Wenders and Jim Jarmusch have always been eager to credit the Dutch cinematographer for teaching them about color and light.
On the Channel
May 20, 2018 — A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.
The Daily
May 16, 2018 — Workers and management face off in a French factory, and the reviews are so-so.
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
Mar 20, 2018 — The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.
Jan 13, 2018 — Even as we anxiously await If Beale Street Could Talk, based on the novel by James Baldwin and Barry Jenkins’s followup to Moonlight (image above: directing Alex R. Hibbert), he’s already attached to another project, as Deadline’s Mike Fleming Jr....