The Criterion Collection
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Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...
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Apr 2, 2018 — This week sees the openings of the San Francisco International Film Festival, Locarno in Los Angeles, and DOC10 in Chicago, and I’ll have separate entries on all three events in a couple of days. New York. The BAMcinématek series Tough...
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Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...
Apr 2, 2018 — The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.
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Apr 2, 2018 — Khalik Allah’s Black Mother premiered at last month’s True/False Film Fest, saw its international premiere at CPH:DOX in Copenhagen, has just screened in Paris at the fortieth Cinéma du réel, and screens this week at New Directors/New Films in New...
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Apr 2, 2018 — Stanley Kubrick’s 2001: A Space Odyssey saw its world premiere on this day, April 2, in 1968 at the Uptown Theater in Washington, D.C. Two days later, it opened in two more theaters, one in Hollywood and one in New...
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Mar 28, 2018 — Even if you won’t be anywhere near Ghent from today through Sunday, you’ll want to know about the Courtisane Festival. The program for this year’s edition alone will likely have you making mental notes on films to add to your...
Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.
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Mar 27, 2018 — Back to Mulholland Drive “studies Lynch’s cult classic as a starting point for, and as an influence in, contemporary art,” writes Angelica Frey for Hyperallergic. “According to the book’s editor, the art critic and curator Nicolas Bourriaud, Lynch helped to...
Mar 23, 2018 — Amy Poehler, seen above with Tina Fey in Sisters (2015), “will make her feature directorial debut with Wine Country, a Netflix comedy she will also star in and produce.” The Hollywood Reporter’s Borys Kit: “Poehler has assembled an all-star lineup...