The Criterion Collection
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...
Features
Jul 17, 2014 — When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...
Essays
Apr 29, 2014 — One legendary American director pays tribute to another.
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Feb 18, 2013 — Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Sep 20, 2012 — The following is excerpted from a 1990 audio interview that originally appeared on the Criterion Collection’s laserdisc edition of Children of Paradise. It was conducted by the late Brian Stonehill, who was a communications and media studies professor at Pomona...
In Theaters
Jun 21, 2012 — Austin film programmer Jesse Trussell tells us about what goes into curating this long-running series.