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Me and Rubyfruit

Feb 16, 2021 Reviews are strong for the biography of the unique theater and film director, comedian and actor.

Sep 17, 2018 Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.

Apr 19, 2018 With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.

Mar 29, 2018 New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot on video for a low...

Mar 1, 2018 “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Nov 23, 2017 Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...

Oct 25, 2017 Complete Film Criticism: Reviews, Essays, and Manuscripts, a collection edited by Charles Maland, gathers reviews and features James Agee wrote for The Nation from December 1942 to September 1948 and for Time from September 1942 to November 1948. Jonathan Rosenbaum...

Oct 16, 2017 J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...

Oct 12, 2017 “In my undergraduate years, I watched three films almost every day,” Wang Bing, director most recently of the Golden Leopard-winning Mrs. Fang, tells Zoe Meng Jiang. “I’m from the same generation as the Sixth Generation filmmakers like Wang Xiaoshuai and...

Sep 11, 2017 In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

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