Ignasi M.

Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.

Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.

Jan 17, 2025 — Featured this week are Frank Capra, Michael Roemer, John Ford, Djibril Diop Mambéty, and Rainer Werner Fassbinder.

Jan 16, 2025 — Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.

Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.

Jan 14, 2025 — In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.

Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.

Jan 9, 2025 — MoMA’s festival of film preservation spotlights films from around the world, ranging from the silent era through the 1980s.

Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.

Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.