The Criterion Collection
May 20, 2025 — A film about and against everything, this astonishingly original comedy attacks Big Brother, the bomb, and the incipient collapse of our planetary ecosystem, along with the lies that stop us from recognizing all of the above.
The Daily
Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.
May 18, 2021 — The 1892 Chinese novel The Sing-Song Girls of Shanghai opens with a prologue in which the author, Han Ziyun, writes from his own perspective, providing a gateway into the book by describing a dream he has had. Referring to himself...
The Daily
Dec 21, 2018 — New issues of Senses of Cinema and cléo this week, but also healthy seasonal doses of anxiety and lamentation.
The Daily
Apr 26, 2018 — In the Year of the Pig (1968) With the fiftieth anniversary of the May ’68 upheaval weighing so heavily on the cultural hive mind at the moment, now’s the perfect time for a retrospective of work by the radical director...
The Daily
Jan 17, 2018 — The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...
The Daily
Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...
Features
Oct 23, 2014 — The author recalls meeting the filmmaker in a Swedish hotel in the ’70s.
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Essays
Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.