The Criterion Collection
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Oct 20, 2015 — Taiwanese filmmaker Hou Hsiao-hsien is back with an awe-inspiring martial-arts epic.
Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.
Essays
Oct 13, 2015 — Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.
Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.
Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.